* SPECIAL EVENTS


PIEOWA: A PIECE OF AMERICA (2025)

documentary/ 2025/ 1hr 16m/
written by Beth M. Howard/
directed by Beth M. Howard/
country: U.S.A./
language: English/

PRESENTED BY KCRW.

Q&A WITH FILMMAKER BETH M. HOWARD AFTER THE SHOW.

KCRW Presents “Pieowa: A Piece of America.” Pieowa celebrates the myriad ways pie is baked into Iowa’s—and America’s—culture, the lengths people will go to for a slice, and how this humble pastry can make the world a better place. Featuring comedian Tom Arnold, NPR economics correspondent Scott Horsley (NPR = No Pie Refused), Better Homes & Gardens food editor, church ladies, State Fair competitors, food historians, bike riders, pie shop owners, and more. Wholesome, uplifting, and humorous, it will leave you both hopeful and hungry for pie. The LA Times calls it “a soulful slice of Americana.”

PIE WILL BE SERVED AT BOTH SCREENINGS

General Admission: $17
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OPEN SCREEN AT THE LUMIERE

“Open Screen is an open mic night for filmmakers. Share your film the way it was intended, projected in a dark theatre with lively strangers. Whether you sold your home to finance your 35mm feature, or you made it last night in your parent’s garage – if your movie (or part thereof) is under 10 minutes, we’ll screen it.”

“You do not need to submit anything ahead of time. Simply buy an “Open Screen GA” ticket and bring your video file on a USB hard drive. Sign ups begin at 7:00pm. Videos play on a first come first serve basis until we hit 90 minutes of total program.”

*MOST months hit the time limit,
so come early to guarantee your spot.

“The other option is to buy one of the expensive “Open Screen Pre-Reserved Screening Slot” tickets. That will hold your place in line. The 10 minute limit still applies, however this will guarantee your video will play so you can safely invite your friends/crew/etc.”

**Must be under 10 minutes (no exceptions). Can not be intentionally mean to any group of people.

General admission: $15 | Pre-Reserved Screening Slot: $30
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FRENCH COMEDY CLUB

“The weekend of March 21st, we’ll be showing the latest and greatest French comedies in a theater in Los Angeles (in French with English subtitles).”

“These films will be shown for the first time in the US just weeks after their release in France.”

SEE FRENCHCOMEDYCLUB.COM FOR MORE INFO, CLICK THRU.

Early Bird Special (ends 3/13): $15
General Admission [will be] $17
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WWW.RACHELORMONT.COM (2024)

drama, sci-fi/ 2024/ 1hr 20m/
written by Peter Vack/
directed by Peter Vack/
country: U.S.A./
language: English/

“Rachel doesn’t realize she has grown up in captivity working for an advertising agency where her job is to assess Mommy 6.0 – her favorite pop star.”

General Admission: $17
Students: $15
62 & Over / 11 & Under: $14

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AFTERIMAGE SHORTS NIGHT (2026)

“Afterimage presents a night of shorts from emerging filmmakers.”

General Admission: $17
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* COMING SOON

CALLE MALAGA (2025)

“Maria Angeles, a 79 year-old Spanish woman, lives alone in Tangier, Morcco, and enjoys her daily routine. However, her life is turned upside down when her daughter arrives from Madrid to sell the apartment in which she has always lived. Determined to stay, she does everything she can to get her home and her belongings back and, unexpectedly, rediscovers love and sensuality.”

BY DESIGN (2025)

“Upon seeing a gorgeous chair in a showroom, Camille (Juliette Lewis) realizes that she truly envies the life of this perfect piece of furniture. If only she could be someone’s favorite thing. When she and the chair swap forms, Camille learns that she is better liked as an inanimate object than she was as a person: her mother (Betty Buckley) finds her to be a better listener, and her best friends (Samantha Mathis and Robin Tunney) enjoy a newfound, friction-free rapport. As the chair, Camille is unable to speak or move and winds up in the hands of Olivier (Mamoudou Athie), a minimalist bachelor who gradually becomes romantically fixated on his elegant new possession. Narrated by Melanie Griffith, this modern fable celebrates the messiness of female interiority with deadpan humor, surrealist flourishes, and interpretative dance numbers. An absurdist spin on the body-swap comedy, By Design is a bold new work from singular filmmaker Amanda Kramer.”

FOR WORSE (2025)

“A newly divorced mom attends a wedding with a much younger date and behaves like a drunk 25 year old bridesmaid to try and keep up. What starts as a fun fling and wild weekend reclaiming her youth leads to something more when she unexpectedly sparks a connection with a fellow divorcee.”

KOKUHO (2025)

“From acclaimed director Sang-il Lee (Pachinko), KOKUHO (meaning “national treasure”) is a film of awe-inspiring scope and sumptuous beauty, and a monument to the artists who would sacrifice everything in the pursuit of the ultimate performance. Nagasaki, 1964. After the death of his father, the leader of a yakuza gang, 14-year-old Kikuo is taken under the wing of a famous Kabuki actor. Alongside Shunsuke, the actor’s only son, Kikuo decides to dedicate himself to this traditional form of theatre. Across decades, the two young men grow and evolve together – from acting school to the grandest stages – amid scandals and glory, brotherhood and betrayals, as each pushes to become the greatest living Kabuki master.”

IN HER WORDS (2025)

“IN HER WORDS is a film/dance documentary, with most of the footage courtesy of the Jerome Robbins Dance Archive at Lincoln Center and the New York Public Library. Visually, a film retrospective of Elaine Summers Film/Dance work, while a narrative guide is formed by Elaine’s own words.As a Film/Dance founder with her own production co., dance co. and teaching organization, the relative unknown status of her gifts to humanity deserve further illumination. This film/dance documentary is the door to…. ”