Lumiere Cinema

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PHOTO BY MIKE SOTO

9036 Wilshire Blvd, 90211

In Beverly Hills at Doheny & Wilshire | Click for GoogleMap
Tickets available at the box office | Click for parking information

Safety for our guests and staff is our highest priority and
we are compliant with CDC & CinemaSafe regulations.
Click for Centers for Disease Control & Prevention.

Hark! For a small while we are
having a special on concessions!

Small Popcorn – $1.oo | Medium Popcorn – $2.oo
Large Popcorn – $3.oo

Same goes for soft drinks!


* Now Showing Daily . . .

. . . unless otherwise noted ‘neath the title.

. . . . returns to the theater on Saturday, May 7th and runs through Thursday, May 19th. Schedule and tickets can be seen here.

For 33 years, the Israel Film Festival has played a vital educational role in spotlighting Israel’s thriving film and television industry. The annual event provides an intercultural exchange to advance tolerance and understanding among diverse audiences and to enrich the American vision of Israel’s social and cultural diversity. To date, the Festival has showcased nearly 1000 feature films, documentaries, television dramas, and student shorts to hundreds of thousands of film-goers, and brought more than 500 Israeli filmmakers to the U.S. to connect with the Hollywood Community, opening doors for distribution and co-production.


Private Property (2022)

“Kathryn, a struggling actress and unfulfilled housewife, becomes involved with her new gardener, Ben. As he gives her the attention and sensitivity she craves, they start to fall for each other. But Ben is not what he seems.”

We’re All Going To The World’s Fair (2021)

“Alone in her attic bedroom, a teenage girl (Anna Cobb) becomes immersed in an online role-playing horror game, wherein she begins to document the changes that may or may not be happening to her.”

Hatching (2022)

“12-year-old Tinja is desperate to please her mother, a woman obsessed with presenting the image of a perfect family. One night, Tinja finds a strange egg. What hatches is beyond belief.”

Saturday Fiction (2019)

“Since the Japanese occupation, China has become a wartime intelligence battlefield for the Allies and the Axis Powers. Iconic actress Jean Yu returns to Shanghai, ostensibly to appear in the play “Saturday Fiction” directed by her former lover. But what is her true aim? To free her ex-husband? To gather intelligence for the Allied Forces? To work for her adoptive father? Or to escape from war with her lover? As she embarks on her mission, with friends ever more difficult to distinguish from undercover agents, as everything spirals out of control, Jean Yu starts to question whether to reveal what she has learned about in the imminent Pearl Harbor attack.”


Paris, 13th District (2021)

“Four young people fall in and out of love (and sex) with each other while figuring out their lives in Paris. From acclaimed director Jacques Audiard, based on stories by Adrian Tomine.”

X (2022)

“In 1979, a group of young filmmakers set out to make an adult film in rural Texas, but when their reclusive, elderly hosts catch them in the act, the cast find themselves fighting for their lives.”

The Worst Person In The World (2021)

“The chronicles of four years in the life of Julie, a young woman who navigates the troubled waters of her love life and struggles to find her career path, leading her to take a realistic look at who she really is.”

* Remember to CAPITALIZE on the Popcorn Soda Prices /
$ 1 sm – $ 2 md /
Y A W P !

* & Coming Soon . . .


Moez: Le Bout Du Tunnel (2021)

One Show Only / Saturday, May 21st at 4 p.m./

“Moez is a twenty-five year old Tunisian. He comes from a lower income suburb in the city of Tunis. Growing up in a poor, miserable and often violent environment, Moez has turned to a life of petty crimes. When he finally gets arrested, he meets at the police station, Hassan, a radical Islamist from France. Two simultaneous arrests that throw together two lives and intertwine their destinies.”

Distant (2002)

Starts Friday, June 3rd/

Tickets on sale soon/

“Mahmut is a relatively successful commercial photographer who has been struggling to come to terms with the growing gap between his artistic ideals and his professional obligations. His tedious workload, coupled with the lingering loss he still feels for his ex-wife (newly married and on the verge of leaving Istanbul for Canada), leaves Mahmut clinging to the melancholic and obsessive routines of his solitary life. Turkish auteur Nuri Bilge Ceylan wrote, directed, photographed, produced and co-edited this profoundly beautiful picture about detachment and isolation without allowing the austerity of his story to overwhelm the heartwarming, often comic, moments that permeate this award-winning film. Set in a wintry, contemporary Istanbul, the stunning cinematography was clearly instrumental in procuring the Grand Prix at the 2003 Cannes Film Festival, where Muzaffer Özdemir and Mehmet Emin Toprak also shared best actor honors for their remarkable performances.”

Cane Fire (2021)

Starts Friday, June 3rd/

Tickets on sale soon/

“The Hawaiian island of Kauaʻi is seen as a paradise of leisure and pristine natural beauty, but these escapist fantasies obscure the colonial displacement, hyper-exploitation of workers and destructive environmental extraction that have actually shaped life on the island for the last 250 years. Cane Fire critically examines the island’s history — and the various strategies by which Hollywood has represented it—through four generations of director Anthony Banua-Simon’s family, who first immigrated to Kauaʻi from the Philippines to work on the sugar plantations. Assembled from a diverse array of sources—from Banua-Simon’s observational footage, to amateur YouTube travelogues, to epic Hollywood dance sequences — Cane Fire offers a kaleidoscopic portrait of the economic and cultural forces that have cast Indigenous and working-class residents as “extras” in their own story.”


INNER CIRCLE MEMBERSHIPS:


Gift Cards ; $15.00+ /
Any amount up to $99 will qualify as such.

“Inner Circle Memberships” ; $100+ /
Any amount of $100+ will secure you an “Inner Circle Membership” & will grant you extra discounts and perks. Available whilst supplies last.


Little Joe [Pesci] – Got To Get You Into My Life


ABOUT US:


* * Opinions expressed do not reflect the company’s views, etc.



contact email; click me. (….or right-click me & Copy Email Address.)

The Lumiere Cinema is (pictured above, L-R) Luis Orellana, Lauren Brown, Peter Ambrosio.
They are a wholly independent arthouse operation born in late 2019.
The Music Hall (in Beverly Hills) used to be called The Elite and has been around since the 1930s.
The face of the building was designed by a man named Wilfred Verity.

This arthouse could use some benefactors yet;
to find out more, just click thru.


PRESS ABOUT US, THANK YOU

“…Lumiere will compete to show the kind of elevated, critically supported indie, international and documentary films that can bring a theater both cachet and those coveted specialized audiences. And if a buzzier new movie can premiere exclusively at the Music Hall, as was recently the case with the highly praised documentary “Chinese Portrait,” so much the better.” – Gary Goldstein, Los Angeles Times

Beverly Hills Courier

“Los Angeles film exhibition 2020 is off to a roaring start with the reincarnation of the Laemmle Music Hall into Lumiere Cinema at the Music Hall,” Bob Hunter, director of exhibition for “Heimat” and “Cordillera” distributor Icarus Films, wrote in an emailed statement. “It’s a welcome addition to L.A.’s arthouse landscape and sure to become an essential destination for lovers of challenging, adventurous cinema. Working with Luis, Peter, and Lauren has been a pleasure. Their passion for independent film and commitment to the theatrical experience are infectious.” – Bob Strauss, Daily News


LUMIERE CINEMA, MUSIC HALL 3, est. 2019